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Vampire Weekend

by Vampire Weekend

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Album review

It would take a lot for Vampire Weekend's debut to rise above the stench of privileged hype that surrounds it. A bunch of kids who formed the band in their Columbia dorm room borrow wholesale from Afrobeat and angular '80s stuff, and they quickly become an online buzz band before releasing a single album? Thankfully the record, and the band, are great fun: playful, pop-wise, and smart enough to pull their shtick off with aplomb. Organ and drums are often the focal point of the music, bringing to mind a goofier, happier Clinic (if that group's record-collecting habits were more scattershot). On the excellently named (and better sounding) "Cape Cod Kwassa Kwassa," Vampire Weekend asks, "Does it feel so unnatural / To Peter Gabriel too?," immediately disarming--with self-aware brazenness--any criticism of their pomo/postcolonialist borrowing of "ethnic" music. It's clear that these dudes have not only inherited the nerd-rock omnivore's mantle from the Talking Heads, they've actually and already improved upon it. --Mike McGonigal


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About the artist

Vampire Weekend is an indie pop/rock band with Afro-pop influences. Bandmates Ezra Koenig (vocals, guitar), Rostam Batmanglij (keys & vox), Christopher Tomson (drums) and Chris Baio (bass) formed February 2006 in New York, NY. Their self-titled debut album was released on January 29, 2008 on XL Recordings to, so far, critical success and the ...

Track list

  1. Mansard Roof
  2. Oxford Comma
  3. A-Punk
  4. Cape Cod Kwassa Kwassa
  5. M79
  6. Campus
  7. Bryn
  8. One (Blake's Got A New Face)
  9. I Stand Corrected
  10. Walcott
  11. The Kids Don't Stand A Chance