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Parallel Lines

by Blondie

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Album review

Until 1978, Blondie was perceived mostly as a '60s-referencing, British-Invasion-meets-girl-groups band. With veteran producer Mike Chapman at the helm for their third album, though, everything changed for this group bred from the New York punk scene. Honing in on Blondie's strongest points--Deborah Harry's come-hither vocals and Clem Burke's powerhouse drumming--Chapman helped recast the band to the power pop side of new wave, and with impressive results. Driven by the punk-meets-disco chart-topping hit, "Heart of Glass," and the herky-jerky "One Way or Another," as well as a muscular cover of the Nerves' "Hanging on the Telephone," Parallel Lines established Blondie as major stars. --Billy Altman


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About the artist

Blondie is perhaps the most commercially successful band to emerge from the 1970s punk scene. They formed in New York in 1974. The original lineup consisted of Clem Burke (drums), Jimmy Destri (keyboards), Debbie Harry (vocals), Chris Stein (guitar) and Gary Valentine (bass). Blondie released their first album Blondie in 1976. The album was mi...

Track list

  1. Hanging On The Telephone
  2. One Way Or Another
  3. Picture This
  4. Fade Away And Radiate
  5. Pretty Baby
  6. I Know But I Don't Know
  7. 11:59
  8. Will Anything Happen?
  9. Sunday Girl
  10. Heart Of Glass
  11. I'm Gonna Love You Too
  12. , Just Go Away
  13. Once I Had A Love (The Disco Song 1976)
  14. Bang A Gong (Get It On; live)
  15. I Know But I Don't Know (live)
  16. Hanging On The Telephone (live)